With arresting emerald eyes and inky, shoulder length hair loaded with curls—Julien was bubbling with boyish enthusiasm. “Last year, when we thought the world was going to end, my wife and I traveled the world,” Julien brought up, sipping wine at the salon. He launched into a colorful story punctuated with French and frequent laughter. “We started in the Bahamas,” he said, eyes sparkling, then named stops in South America, Europe and numerous countries in Asia—each with accompanying anecdotes. Mid trip, the duo found themselves “[…]on a slow river boat in Laos, towards Vientiane—the Ibiza of Asia—where we rode in rubber tubes and stopped often for drinks at bars lining the banks.”
Julien is an actor, and while he usually pulls the hair back into a ponytail, we wanted to emphasize his facial structure and modernize the look with a trendy twist on James Dean’s timeless cut. “For Julien, I wanted to shorten the sides but leave curls at top of his head a little longer, for a full bodied bouffant,” David said.
We began styling with a toast, “Cheers! To peace in the world,” Julien said, clinking glasses with a smile.
1. To begin sculpting this modern classic, I pulled his long hair into a ponytail and snipped at the nape of the neck.
2. I parted the remaining sections and began trimming Julien’s hair to under an inch in back and sides, using my index and ring finger as a guide. As his hair forms ringlets, I clipped from right to left for a consistent cut despite the curls.
3. Once the majority of the long hair was gone, I employed a comb for an even closer crop, focusing on even length from ear to ear and under. I trimmed the section by his ears the shortest—modern coifs tend towards clipped sides with more length on top for styling flexibility.
4. Julien’s hair was now at three different lengths, so I checked over once more to ensure all sections faded smoothly into one another. There should be no sharp edges in this crop! James Dean’s hair has a relaxed, tousled quality that should appear casual, not overworked.
5. Once Julien’s cut was complete, I quickly styled it. Using a hair dryer and round brush, I injected volume to the roots of the longer sections of his hair.
6. Finally, I tousled his hair with No. 6 Glossy Plasteline For Wizards wax by Davines and scrunched to bring back his curls.
Voila! Julien had a curly bouffant ala James Dean. “I don’t like it—I love it!” Julien enthused. “Like a glass out of the dishwasher, I was clean before, but now I’ve been polished!”
David’s Hair Tips:
“When I cut men’s hair, I don’t use a buzzer. I dislike them because a buzzer actually splits the hair, so it grows out into split ends. When occasionally I use a razor, I always trim over with sharp scissors.”
Working late at the office but still need to get your hair cut or styled for the next day? Reynald Ricard and David Cotteblanche understand the hectic schedules of polished, working women in Manhattan. Red Market Salon, the one and only late night salon open until 11 PM in New York City, is a perfect solution to the late-night-hair-emergency conundrum, allowing women to balance their demanding work schedules while maintaining their hair. Women don’t just flock to Red Market Salon because of the late night factor, they know that when Cotteblanche is around, they are in good… scissors. Cotteblanche’s work has been featured in fashion shows from Christian Dior, Diane Von Furstenberg, Ralph Lauren, Nicole Miller, and Yohji Yamamoto. He has styled Duran Duran, Hot Chip and has worked for Elle, Town and Country, and Playboy. He is also the hair genius behind the newest, upcoming campaign for Oscar de la Renta. DOWNTOWN interviewed Cotteblanche about his past, his present, and his future. SPOILER ALERT: details on celebrities, Fall hair trends and novel hair tips are all discussed.
Read the full article at wwwdowntownmagazinenyc.com
Meet Elissa, a Brooklyn-based photographer with a quick laugh and a striking crop of thick, curly blonde hair. “My hair is really easy—I usually just wash it, use some cream then towel dry. I’ll even let it dry on the subway!” she mentioned with a smile. It’s hasn’t always been so bouncy, “When I was in 5th cut it really short, then it suddenly ‘boinged,’ and was curly!”
“I’ve always felt artistically inclined,” she explained, swirling white wine in a glass, “I wanted to be a photographer when I was younger. These days I’m a very hands-on photographer—I like working with film and black and white pictures.”
When she’s not working in the studio, “I explore!” Elissa exclaimed, “My area is really residential, so I explore [elsewhere in Brooklyn]. I really like Williamsburg—went to the Brooklyn Bazaar recently and it was amazing! I told my friend, ‘what is this magical place?’ ”
With a silver loop in her nose, a glittering watch and a blood-red manicure, for Elissa it’s all making standout art. “I love tattoos—it’s artwork on my body!” she said, indicating the cursive words on her wrist—Live, Love, Be. David felt a loose braid garnished with spring blossoms would complement Elissa’s curly look.
1. To begin, I separated Elissa’s curls by hand, pulling the kinky spirals apart throughout her hair. It doubled in size!
2. To minimize frizz and bump up her shine, I spritzed with Kerastase Gloss Appeal shine serum.
3. Then, I drew two small sections just above the ears and rolled them under and towards the nape of the neck, pinning along the way.
4. Imagine a French braid, as I neared the nape, I added more hair to the two sections and created a thick ponytail.
5. I redefined some curls and made Elissa’s locks sleeker with a squeeze of Elixir Kultimate throughout.
6. Then, I braided the ponytail straight down while the remainder of her hair fell free.
7. To complete the look, I wove small pink blossoms into the rolled sections and in the braid—how romantic!
Voila! This free-spirited look is perfect for spring festivals, weddings, or Facebook profile pictures.
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